hotmetalpress.net winter 2011
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Simon Perchik is an attorney whose poems have appeared in Partisan Review, The New Yorker and elsewhere. For more information, including his essay “Magic, Illusion and Other Realities” and a complete bibliography, please visit his website at HYPERLINK "http://www.simonperchik.com" www.simonperchik.com.
Editor's note:
Simon Perchik's poetry is entirely his own and it comes mysteriously.
Simon's lines are as if they were poured, perhaps the nectar we make for humming birds. They communicate from within the reader. There is a sweetness that is not too sweet and yet profound beyond any other language I know. Perhaps the way the heart would want to speak.
I kiss as if some warming stream
still hides my lips, drink
and a child not yet born
tugs at the surface, calls out for tears
--you close your eyes.
What did you think would change
or the cry you never hear again.
It does no good to move my lips.
Red frightens the water
and deep in my throat this lulling
is just more moonlight taking shape
floating under your eyes
--you can still hear one moon
calming the other --don't open your eyes.
My kisses too will clot and be afraid
cling to your lips, to this warm milk
the sky all night breathing in, unable
to drown or alone at the light you heard
only once, not loud, trying again.
*
This ledge and my leather jacket
strung on poles to dry
--always a cross-wind --Hey!
People eat off there!
--my shoulders filling out : a chute
leaning into the sky --Take it easy!
and throws me a map that's empty
though I fold the napkin in half
and half and over the latest cities
--it must be winter
--these stools as if the counter
is still under snow
and my wrists in that flat spin
wrapping, the cup bouncing
--by the time the police arrive
he's showing me the pictures
the counter more curved than ever
the coffee flowing to a free stop.
*
The waves you don’t see anymore
are now these stones, enchanted
and the wind as every potter learns
waits for the water to glaze
tighten to bone and mountainside
–you can use the sea for a cliff
headfirst and already the hardening
–you don’t hear a splash
–the blue smoke from your heels
means you’re still diving
tossing one more dime to fill the spot
with spin or however waves, wing
over wing, thicken, drop as if the sea
needed more altitude and your dime
burning underwater –you don’t know
what the shimmering does
but let two stones bump –a fire
so heavy, bending the horizon
and always your arms overhead, on course
trailing a long, shameless if you were strong
if you were sky, if you could hear.
*
This granite has sea in it, each splash
a bell --water lets nothing forget
and drop by drop even stone goes mad
carves by a small saucer for tears
for the tormented miles away
ringing out --I come to scream
to become a bowl and the white smoke
rising where your lips still drift
under the pounding snow --this stone
has tides in it, smells from rainfall
and decay and your arms too are in my throat
in the distance, in the tightening.
*
A private gesture --suddenly one arm
rolls as if it found the field
could guess where the wind --you
don't see my hand over hand, by instinct
shoving the ground away --it's habit now
--wiping oil leaks
--strapped to a canvas shopping bag
full blown with groggy rags
with dangling countryside --every morning
one arm around this garbage can
calling airspeeds and where in this fuselage
there's some distance left --you