Tobi Cogswell









Precision Excision





To concentrate is to see the points behind the picture

human Darwinism at its most woeful.

Slivers of moments – the edge of the bread,

shard from the champagne flute,

salt sprayed in patterns

shockingly violent and destructive.



Conversation becomes obtuse and unavailable.

Words are extracted from their meanings and left to dangle

like hearing the chimes but not the wind.

A scalpel is silent.

Weeping behind windows is silent.



Microscopes present mites wiggling in mattresses,

televisions broadcast snow.

Forehead neon with focus

hack the weeds that creep between irregularities,

smell the fuchsia oozing out of cracks the color

of prison walls.



II



The tipping point.

It is a decision to be made.

The screws are either parallel or perpendicular -

Surf the fulcrum of status quo,

fall down the hole, it has potential for implication.

Arms up in surrender or out in embrace

the expectations determine the outcome.



The smell of slick magazine curdles

while the clock ticks

while the angry boy cries

while the light explodes in a blistering display

while the washer cycles

while the spider spins its web

which way do you go

which way do you go

when people give up

how do they not die?





Pantoum Gone Wrong



I will take a vodka tonic and some chips

please tell me that my smile lights up the sky

make me blush and make me think of you

even if tomorrow I’ll be asking myself why

and kicking myself for being so stupid.



I will know you are lying but believe you anyway

I will only halfway question your motives and sincerity

wearing my heart with longing for our conversations

I will look for you and I will find you.



It makes me want to taunt you and test you

all the time my leg inching closer to yours

I flirt with an eye to mapping your limitations

my agenda is one of maximum sensations - I

don’t know if you have an agenda.



A kiss in the old days was a ticket to freedom

now most encounters lead to a chasm of

disappointment and emptiness

Lord knows, I carry my own share of baggage

disheveled and dangerous I order another drink



Please find me beautiful, I have a passion for you

make me blush and make me think of you fondly, but

Lord knows, I carry my own share of baggage

so I will settle for vodka tonic and chips.





A Quiet Kiss



Let’s kiss under the bridge

a quiet kiss, to see if we fit.

Cars rumble overhead, an

occasional muffler vibrates

against our ears, let’s pull

our scarves up around our necks,

your hands at your sides me

holding my umbrella, the

cavernous pod protecting us

from drops from above, the

muddy confluence of the street,

from people rushing toward

their day, maybe checking their

watches but always late, their

mouths turned down in hurried

frowns, the kind of people you

never want to talk to when they’re

behind you in line or when you

want them to pull up just a few feet

so you can get into the left-turn

lane behind them and they are

just frowning with the radio, frowning

into the mirror and you feel so sorry

for them and so lucky that your

mouth lands naturally in a smile,

even when you’re sad, even when the

crows of nightmares come to perch

on the wires of your dreams and no

one would know because you seem

to be smiling and that is just wonderful.



Let’s kiss under the bridge

a gentle kiss, tasting our tastes,

testing the safety of us two.

We are shrouded within the fairy tale,

the banners of my umbrella happy with

harlequin diamonds and jingling

bells, the fabric matching your tie

so much that you must take the

umbrella home, but not until

we are done with it, until we each

look into the eyes of the other

and read the same language, until

our breath is a snow dome shaken

on Christmas morning,

finally settling to reveal

a lovely setting where two people

like you and me are the cake toppers

in fantasyland.   I want to be a

weather girl to plan for days like this,

I want to study the marine layer and

low pressure systems to find

our best times for experimentation.

What a wonder to be

hiding under the bridge with you

in the drizzle, on a workday, and

no one knows who we are or where we are.

I want us to have the best chance.



Let’s kiss under the bridge

a tiny kiss, then write me

a poem of you, tell me a secret,

your hands at your sides me

holding my umbrella.

We feel only our own hearts

on this day but this is the

day that will change us

forever, we either fit or

we don’t.  We may be

a study in polar opposites,

two alpha magnets

pushing for the right of way but

I don’t get that impression,

I see a yielding in you and

that makes it safe for me

to bend a bit.  And when the rain

has stopped, I hand you my

harlequin protector that matches

your tie, that you must have to

remember this day with, to

remember me, and you walk

away for the moment, a silhouette of

wide shoulders in a dark suit,

but not forever.





Lapses and Absences



She takes her heart out

holds it in her palms

she can still draw breath

the heart defending her

but not defining her

she feels like the heron

landing on a perfect lake

with perfect light, no language

to speak of just being.



She looks in wonder at it

beating there, palms up

in holy supplication

she can only see the hint of hands

beneath her fragile insides

turned and laid bare.



She is loved.  She is lost.

She has loved and lost.

She cannot bear to acknowledge grief,

rage with anger or tally up the losses,

she merely holds her heart with perfect posture

out of curiosity and defense

the missing part of her soul

holding her close.



And so she flies, her migration

on the wind she always

threatened to escape.

She wears her bruises

like beauty marks,

does not focus on them,

does not acknowledge them.

Absence merely means presence

somewhere else, and home

can be anywhere.





Saturday Afternoon



Down the long aisle he walks

past beans, soup, rice, pasta,

canned things better bought fresh

along the outer edges, toward the

woman at the end scooping

chocolate covered peanuts into

a small plastic bag.  He sees her

look up he says hello

she says hello back.  Emboldened

he says how are you she says

fine how ‘bout yourself he says

fine and keeps walking.



She sees the cane in his cart,

notices a small limp as he moves on

to the dairy aisle, she doesn’t know if

it’s a permanent affliction or the result

of some dramatic injury.  He feels

handsome, and successful that she spoke

to him even though he is in disrepair.  She thinks

about how she cannot feel her toes,

how we all bear one thing or another she feels

pretty, and desirable because he spoke to her.



She looks for him again but she has a long list, he

must have had a short list or else she shops  

from right to left and he from left to right, she

does not enjoy further banter.



She thinks she sees him in the parking lot they

both drive Hondas, a coincidence to be commented on

but she doesn’t continue the conversation, it will

most probably lead to disappointment.

The handsome man and desirable woman

drive away separately, both congratulating themselves

on a successful shopping excursion.
Tobi Cogswell lives in Southern
California.  She reads at various
venues in the Los Angeles area.  
Her work can be read in Poetic
Diversity, Literary Angles, the
Anthology of Poetic Diversity, Red
River Review, Shemom, Andwerve
and the San Gabriel Valley Poetry
Journal.  She also has a chapbook
entitled Sanity Among the
Wildflowers.