WHEN HEAVEN IS LOW
Everything becomes a mast
at night when heaven is low
as an anklebone palms
shackled to phantom wind
ripple
Time spun day
concave/parched
until departure/
arrival the same
I slip into my pocket
a few grains of abrasion
no pearl
no glass
no you
FATE
Two friends select stones
as if inspecting tomatoes,
peaches, plums. Reject most
returning them gently.
The chosen they hold
in their palms. Wrap each
with copper wire, slip
a small feather, blade
of grass, or scrap
of paper with a single word
journey seedbed nap
and wonder why
did these stones choose us.
QUILT
hand guides scissors
drawing a life out of pocket
keeping body warm
pray grandkids watch ants
travel the stitches return home
bread on their backs
don’t care much for symmetry
what makes you tilt, makes you laugh
a strip of hot pink
not saying
don’t see beauty
in the simple
DETAILS BUFFER THE INCOMING STORM
One hundred twenty three steps
to/from dock. Fifteen fishing boats.
Five men congregate six days
a week. Sip coffee, monitor
and count the fleet’s return.
She spent summers here
now full time except four months
three years ago. Reads
the postcard imploring her
to be in Paris. Scrawl makes love
to absence, to what is passed.
Tilts the card, does she think
she can topple a cathedral?
Sameness and sadness: buoys,
satiate the weary as incoming storm
saturates nineteen rooftops by morning.
Her love of map, of compass
fondness for play of shadow
and alphabet.
Doesn’t need a light to read
harbor as she has for six decades,
an “L” -- love, linger, liquefy.
RISK ASSESSMENT
Cataclysm
once filled my bones
with marrow.
I no longer worry old myths
into new clothes. Let them be
another’s truth.
I welcome holly, blackbirds
and night’s flicker of honey
reminds me where I have lived
accumulated
telephone numbers.
Each place a grab bag of detail
reflects the assortment
of houseplants heart-shaped leaves
like photographs tossed into a shoebox
faces in nameless landscape
as if time pinpoints how I got to where
I have been.
If a fierce frost
the nest of birds like me
at risk.
I am no optimist.

Kit Kennedy’s work appears in Animus,
The Aurorean, Bayou, Bombay Gin,
Cezanne’s Carrot, The Comstock Review,
Erosha, Flutter, FriGG, The Hiss Quarterly,
Karamu, Mannequin Envy, Pearl, Poetry
Super Highway, Runes, Saranac Review,
Triplopia, Van Gogh’s Ear, and The Wild
Goose Poetry Review. She hosts the
monthly All Poets Welcome Reading
Series in San Francisco.
Kit Kennedy