dear tremolo,
(1)
a portal a chest held together by multifarious hands
an opera an overtone the
space between here and hear
I have always dreamed of you through you
this is the place where I can locate sensual data
each body each satchel
______________________________
the consumptional difference between what is always tilling me
and the most thorough BEAST-LEDGER
honey poured over peanuts memory as
the basin of each proclamation
FETALITIES FATALITIES
_______________________________________
what having sex with the matter can do to the
manifestation of tactility as a practice
a break in the pre that so induces the future to
how I felt like I had been sold
and thereby could not confiscate or name
since then this daily ::::::::::::::::::::::::::: as an activism
______________________________________________
(2)
renegade nun
acetone monk
neoteric hermitage
I write to this space because I am hungry and
you are here
________________________________________________
amorphous tones sitting in a warm
gathering of water under the most pungent icy sky
a story
that reverses its internal decibels as it describes
_________________________________________________
I want to take you
peel your skins to caress the thicker
shivering
where you and I no longer maintain separate identities
but are exact
______________________________________
(3)
an embodiable culture spoken as omnipotence
as decadence
the cultivation of imagination’s genitalia
________________________________________
this the variant pronoun
we begin no differently than any original
an incendiary couch
through a window
like frida kahlo's last minute jolt as her body
stinging and her hair ablaze and the cut in her lips
________________________________________________
not unlike the feeling of the color of silver
not unlike the feeling of the color
(1)
a portal a chest held together by multifarious hands
an opera an overtone the
space between here and hear
I have always dreamed of you through you
this is the place where I can locate sensual data
each body each satchel
______________________________
the consumptional difference between what is always tilling me
and the most thorough BEAST-LEDGER
honey poured over peanuts memory as
the basin of each proclamation
FETALITIES FATALITIES
_______________________________________
what having sex with the matter can do to the
manifestation of tactility as a practice
a break in the pre that so induces the future to
how I felt like I had been sold
and thereby could not confiscate or name
since then this daily ::::::::::::::::::::::::::: as an activism
______________________________________________
(2)
renegade nun
acetone monk
neoteric hermitage
I write to this space because I am hungry and
you are here
________________________________________________
amorphous tones sitting in a warm
gathering of water under the most pungent icy sky
a story
that reverses its internal decibels as it describes
_________________________________________________
I want to take you
peel your skins to caress the thicker
shivering
where you and I no longer maintain separate identities
but are exact
______________________________________
(3)
an embodiable culture spoken as omnipotence
as decadence
the cultivation of imagination’s genitalia
________________________________________
this the variant pronoun
we begin no differently than any original
an incendiary couch
through a window
like frida kahlo's last minute jolt as her body
stinging and her hair ablaze and the cut in her lips
________________________________________________
not unlike the feeling of the color of silver
not unlike the feeling of the color
 | |  | |  | |  | |  |
julia hastain believes in writing or:
how we mark ourselves through
the specific engagement which we
have with matter. julia has been
published by hot whiskey,
livestock press, transmissions and
guilty as charged. julia's
chapbooks include:
compilate;quantum inversions,
transpoetics;at motion that refuses
to sinew, amniotica;nocturnes of
desire, andrometrics;of where
what is both and pomace. julia
lives in boulder colorado and is
attaining an MFA in poetry from the
jack kerouac school of
disembodied poetics.
how we mark ourselves through
the specific engagement which we
have with matter. julia has been
published by hot whiskey,
livestock press, transmissions and
guilty as charged. julia's
chapbooks include:
compilate;quantum inversions,
transpoetics;at motion that refuses
to sinew, amniotica;nocturnes of
desire, andrometrics;of where
what is both and pomace. julia
lives in boulder colorado and is
attaining an MFA in poetry from the
jack kerouac school of
disembodied poetics.
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