Zita
for the children
She came to my office for a meeting
on how to prevent domestic violence
& told me how her husband
had kidnapped her two little boys
& how she found them. He was abusive,
she was divorcing him, but she was
having a bad time of it in Court.
That was a Monday afternoon.
Zita was a scientist. On Wednesday
morning, I picked up The Washington
Post & there was Zita on the front page.
On Tuesday, her husband shot her in the
parking lot of her office as she returned
from lunch.
A perfectly nice woman dead.
A husband and father arrested.
Two little boys left with no mother
or father to buy their favorite cereals
or read them “Goodnight Moon” at bedtime.
She was sitting in my office
pink Norwegian flesh
pixie blonde hair
eyes of the sea
She was drinking hot tea with lemon
She was showing off photographs of her two little boys
She was using my Kleenex to blot her tears
She was breathing the same air I breathed
She was wishing for other women & then,
She was hugging me goodbye, Ernie,
forever.
Sex, Death & Poetry
For three years after my father died,
I wrote poems about death
his death, my death, yours
the fact that we are all going to die
the fact that we are all dying
all the time—we are born dying--
that death was everywhere
behind the picket fence
in front of the wisteria
in the piano & the mailbox
even under the pillow
& in the refrigerator
right next to the cranberry juice.
I thought about Angelina Weld Grimke,
born in 1880, died in 1958,
the only child of an emancipated slave,
who graduated from Harvard Law School,
& a wealthy white woman
who left when Angelina was very young.
Angelina taught at Dunbar High School
in Washington, D.C.
She wrote poems, plays & short stories.
She stopped writing after her father died in 1930.
She lived every day & night for 28 years
& didn’t write another poem, or play, or short story.
So I wrote for Angelina & her father
& for me & for my father,
for all of us,
the dying & the dead.
Then in the fourth year,
I began writing about sex,
often while I was naked—
sex at Squaw Valley, sex at Anam Cara,
sex at Dodge, sex at Coolfont
all poetry venues, all brain sex
not having sex, just writing about it;
then sex at third base at Camden Yards,
under the waterfall at Falling Water,
in the confessional box--sin, sinner, sinnest--
behind the seafood counter,
under the dais while Orrin Hatch
(not with Orrin Hatch) gives a keynote.
Then the usual: airplanes, trains, buses,
the teeter totter, the swing,
the fourth Capitol step,
the 17th hole at Pebble Beach,
the McDonald’s on the corner,
the elevator of your building,
in the house of your mother
& of my father
& finally in my own bed
& I wondered what would come next,
& who
& why
& if it would be before we died,
you & I.
Since You
I don’t sleep the same
your lovebuzz gone from my ear,
your mysterious hand missing from my breast,
no legbeat crossing over my leg’s world.
or chestcurls kissing my nipples.
No spoon against my spoon.
The night’s learned tenderness
annulled by the you there, me hereness of us.
Sleep is my lover now,
unwelcomed, he puzzles not knowing the one
who won’t submit, I, who cannot sleep quite me again
since you.
Africa
on learning that diamonds are not rare, but controlled
Out for a walk
for the dog’s morning toilette
a penetration of frost, Zhivago-like
on leaves, grass, blacktop, mailbox, flagpole.
Frost shaming the diamond from Africa
on my ring finger
free, disappearing, God’s
frost better than the diamonds
on the arm of a huckster in a wheelchair
let’s say on a corner in New York
his black arm dazzling to the elbow
with gems & timetellers
his I ♥NY shirt blazing
he & the sun in cahoots
blinding me. I can’t look away.
The dog pushes north on his red leash,
pees on the jewels at the crease of
the guy’s elbow, creating a fissure
a yellowing, a train wreck of pee.
The shock of it
what compelled him
what mix of being and power
how he knew to pee exactly there
why I still wear a diamond ring
why nothing is forever
except that knowledge
how the frost knew to come
today to this place & why
the huckster didn’t move--
what held him, his arm, his shirt
the people of Africa
on their knees scooping up diamonds--
the brilliance, the tragedy of it all.
The Wife’s Lament
Diamond ring
Wedding ring
Suffering
Orphan At 52
The way one looks
to the North Star
to the compass
or the sextant
or a map.
The way I stare at the bottle
of your favorite whiskey
I bought this morning
when I already have
two others just like it.
Lost.
Looking for direction.
Trying to get my
father-daughter bearings.
Trying to feel like myself.
You,
still wanting me
to play some Pavarotti
and fix you
a VO and water.
Not yet dead a week.
“If You Can See Your Own Hands in a Dream
You Will Know You Are Dreaming”
Carlos Castaneda
I cannot tell where I am in the dream,
Some kind of waiting room or lobby.
A man wearing gloves takes out a gun.
He shoots three people. I cannot see them,
& then he aims the gun at me, but it is okay.
I know he can’t really see me because
I am the dreamer.
I can see my hands.
I close my eyes and
See my hands before me
Like a murder.
I was a writer of poems.
I never lied.
I cried.
I died
Armed with my fountain pen.
I could see it in my hands.

Ernie Wormwood is a poet, teacher,
and mother who lives in
Leonardtown, Md.
She is grateful to the Squaw Valley
Community of Writers and the
Southampton Writers Conference for
past financial and artistic support.
Most recently she is published in
Raintiger, Rhino,Beltway Poetry
Quarterly, The Cafe Review,
PoetryBay, Upstage Magazine,
Convergence, Innisfree, the Writer’s
Alliance and in the anthhologies
Poetic Voices Without Borders and
Only the Sea Keeps: Poetry of the
Tsunami.